| 3:06 | Est. Play Time |
| 29 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo |  |
22 | 7 | 11 | 6 | 100% |
 |
21 | 2 | 10 | 5 | 100% | |
| View all 16 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
22 | 7 | 11 | 6 | 100% |
|
21 | 2 | 10 | 5 | 100% | |
| Bassoon | |
19 | 0 | 6 | 8 | 100% |
| Bassoon Continuo | |
24 | 0 | 9 | 6 | 100% |
| Contrabassi Continuo | |
19 | 0 | 7 | 5 | 100% |
| Inferred Bassoon | 23 | 0 | 7 | 6 | 100% | |
| Viole | 16 | 0 | 4 | 7 | 100% | |
| Violini 1 | |
20 | 0 | 8 | 6 | 100% |
| Violini 2 | |
17 | 0 | 7 | 6 | 100% |
| Violoncelli Continuo | |
20 | 0 | 7 | 5 | 100% |
| Alti | 10 | 0 | 4 | 7 | 83% | |
| Soprani | 14 | 0 | 5 | 7 | 83% | |
| Bassi | |
16 | 0 | 5 | 7 | 79% |
| Tenori | 12 | 0 | 4 | 7 | 76% | |
| Oboe 1 | |
12 | 0 | 3 | 7 | 72% |
| Oboe 2 | |
15 | 0 | 6 | 7 | 72% |
| 3:27 | Est. Play Time |
| 66 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Oboe | |
20 | 0 | 7 | 6 | 100% |
| Harpsichord | |
20 | 48 | 6 | 6 | 98% |
| View all 7 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Oboe | |
20 | 0 | 7 | 6 | 100% |
| Harpsichord | |
20 | 48 | 6 | 6 | 98% |
|
21 | 3 | 5 | 5 | 97% | |
| Fagotto Continuo | |
21 | 0 | 5 | 5 | 97% |
| Oboe d'amore | |
18 | 0 | 5 | 6 | 94% |
| Soprano | 10 | 0 | 1 | 5 | 47% | |
| Bass | |
15 | 0 | 6 | 4 | 17% |
| 0:40 | Est. Play Time |
| 39 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
16 | 24 | 10 | 7 | 100% |
|
21 | 23 | 10 | 7 | 100% | |
| View all 8 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
16 | 24 | 10 | 7 | 100% |
|
21 | 23 | 10 | 7 | 100% | |
| Basso Continuo | |
17 | 0 | 6 | 7 | 100% |
| Violoncello | |
17 | 0 | 6 | 7 | 100% |
| Contrabass | |
16 | 0 | 6 | 7 | 97% |
| Violins | |
19 | 0 | 6 | 7 | 97% |
| Mago as bass |
|
12 | 0 | 3 | 7 | 75% |
| Viola | 7 | 0 | 3 | 5 | 15% |
| 6:43 | Est. Play Time |
| 215 | Measures |
| 1,825Kb |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Bassoon Continuo | |
21 | 0 | 5 | 7 | 99% |
| Harpsichord | |
19 | 81 | 5 | 7 | 92% |
| View all 10 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Bassoon Continuo | |
21 | 0 | 5 | 7 | 99% |
| Harpsichord | |
19 | 81 | 5 | 7 | 92% |
|
24 | 43 | 7 | 7 | 90% | |
| Bass Voice | |
16 | 0 | 4 | 8 | 70% |
| Trumpet | |
9 | 0 | 1 | 7 | 64% |
| Viola | 14 | 0 | 1 | 6 | 52% | |
| Violin 1 |
|
14 | 0 | 1 | 6 | 52% |
| Violin 2 |
|
11 | 0 | 1 | 6 | 52% |
| Violoncello Continuo | |
16 | 0 | 1 | 6 | 52% |
| Violone Continuo | |
15 | 0 | 1 | 6 | 52% |
| 2:58 | Est. Play Time |
| 77 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
19 | 24 | 6 | 8 | 97% |
|
22 | 28 | 5 | 6 | 100% | |
| View all 9 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
19 | 24 | 6 | 8 | 97% |
|
22 | 28 | 5 | 6 | 100% | |
| Violoncello (Continuo) | |
19 | 0 | 3 | 6 | 100% |
| Alto as Dorinda |
15 | 0 | 4 | 8 | 78% | |
| Contrabasses | |
8 | 0 | 0 | 3 | 8% |
| Viola | 10 | 0 | 0 | 3 | 8% | |
| Violins
I |
|
11 | 0 | 0 | 5 | 8% |
| Violins
II |
|
10 | 0 | 0 | 3 | 8% |
| Violoncellos | |
8 | 0 | 0 | 3 | 8% |
| 1:48 | Est. Play Time |
| 39 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
23 | 19 | 2 | 6 | 100% |
|
22 | 21 | 4 | 6 | 87% | |
| View all 8 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
23 | 19 | 2 | 6 | 100% |
|
22 | 21 | 4 | 6 | 87% | |
| Violin 1 |
|
14 | 0 | 1 | 6 | 92% |
| Violin 2 |
|
15 | 0 | 1 | 7 | 92% |
| Violoncello | |
15 | 0 | 2 | 5 | 79% |
| Dorinda | 11 | 0 | 2 | 6 | 77% | |
| Contrabasses | |
13 | 0 | 2 | 4 | 64% |
| Violoncellos | |
13 | 0 | 2 | 4 | 64% |
| 2:50 | Est. Play Time |
| 26 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Bassoon Solo | |
20 | 0 | 3 | 10 | 100% |
| Contrabass Solo | |
17 | 0 | 3 | 6 | 100% |
| View all 14 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Bassoon Solo | |
20 | 0 | 3 | 10 | 100% |
| Contrabass Solo | |
17 | 0 | 3 | 6 | 100% |
| Oboe | |
17 | 0 | 3 | 9 | 92% |
| Harpsichord | |
20 | 29 | 3 | 7 | 85% |
|
17 | 7 | 3 | 6 | 88% | |
| Contrabasses | |
16 | 0 | 3 | 6 | 88% |
| Violas | 12 | 0 | 3 | 7 | 88% | |
| Violins 1 |
|
19 | 0 | 4 | 7 | 88% |
| Violins 2 |
|
15 | 0 | 2 | 6 | 88% |
| Violins 3 |
|
13 | 0 | 1 | 6 | 88% |
| Violoncello Continuo | |
17 | 0 | 3 | 6 | 88% |
| Violoncellos | |
16 | 0 | 3 | 6 | 88% |
| Violoncello | |
18 | 0 | 3 | 6 | 85% |
| Almirena | 13 | 0 | 3 | 8 | 54% |
| 2:57 | Est. Play Time |
| 27 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Organ Continuo | |
19 | 54 | 6 | 6 | 100% |
|
22 | 6 | 6 | 3 | 100% | |
| View all 8 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Organ Continuo | |
19 | 54 | 6 | 6 | 100% |
|
22 | 6 | 6 | 3 | 100% | |
| Cello | |
20 | 0 | 5 | 3 | 100% |
| Kontrebaß | |
20 | 0 | 5 | 2 | 89% |
| Violas | 18 | 0 | 4 | 4 | 85% | |
| Vln 1 |
|
22 | 0 | 6 | 6 | 85% |
| Vln 2 |
|
20 | 0 | 6 | 3 | 85% |
| Tenor as Jupiter |
12 | 0 | 3 | 7 | 78% |
